There they are again. It's after dark.
The rain begins its sober comedy,
Slicking down their hair as they wait
Under a pepper tree or eucalyptus1,
Larry Dietz, Luis Gonzalez, the Fitzgerald brothers,
And Jarman, hidden from the cop car
Sleeking2 innocently past. Stoned,
They giggle3 a little, with money ready
To pay for more, waiting in the rain.
They buy from the black Riviera
That silently appears, as if risen,
The apotheosis4 of wet asphalt
And smeary-silvery glare
And plush inner untouchability.
A hand takes money and withdraws,
Another extends a plastic sack
Short, too dramatic to be questioned.
What they buy is light rolled in a wave.
They send the money off in a long car
A god himself could steal a girl in,
Clothing its metal sheen in the spectrum5
Of bars and discosplay and restaurants.
And they are left, dripping rain
Under their melancholy6 tree, and see time
Knocked akilter, sort of funny,
But slowing down strangely, too.
So, what do they dream?
They might dream that they are in love
And wake to find they are,
That outside their own pumping arteries7,
Which they can cargo8 with happiness
As they sink in their little bathyspheres,
Somebody else's body pressures theirs
With kisses, like bursts of bloody9 oxygen,
Until, stunned10, they're dragged up,
Drawn11 from drowning, saved.
In fact, some of us woke up that way.
It has to do with how desire takes shape.
Tapered12, encapsulated, engineered
To navigate13 an illusion of deep water,
Its beauty has the dark roots
Of a girl skipping down a high-school corridor
Selling Seconal from a bag,
Or a black car gliding14 close to the roadTOP,
So insular15, so quiet, it enters the earth.